Wednesday, December 31, 2008

Wind Chill: 2008

I was making coffee just now and heard some kids outside scream "Happy New Year!" as loud as they could into the wind. Something epic is happening Out There, weather-wise. I don't really look forward to going Out There to properly find out what it is, but it's New Year's Eve. The obligation is to go out. Not that I don't want to go out; I just harbor a vicious hatred of wind and cold.
Last year on New Year's Eve, Lauren toted around a box of cards and envelopes. She asked everyone to write a letter to themselves and promised she'd mail it to us in a year. Of course, a year went by, and I totally forgot about this until I got the mail today and found an envelope addressed to me in my own handwriting. I took it upstairs and reflected on my 2008, thinking of all I have accomplished and everything that has changed. I anxiously awaited tearing open the letter to find what introspective words I had written, thinking perhaps I had written a list of goals or hopes and dreams and hoping I could pat myself on the back for a job well done or use the letter as a way to remember what is truly important. I unfolded the mysterious letter, and read the following:


Victoria-

La Bamba!
Lou Diamond Phillips.

Maracas.

Amen.


-Sarah

Thursday, December 25, 2008

Merry Everyday

Ever since the NYC blizzard last Friday, which cancelled my after school program that day and marked the height of my illness, I've kind of mentally checked out and been "on break." I spent some days reading, shopping, watching TV in bed, listening to my mp3 collection, eating up my groceries, seeing Pina Bausch at BAM, attending Milk and Jade's show at Public Assembly, etc. The real point is that I didn't do anything that could be construed as work (i.e. working on my overdue article, planning classes, filling out my online attendance roster, finding rehearsal space, choreographing for my various projects).
Tuesday morning I officially went "on break," skipping out on the last day of school before Winter Recess and flying to south Texas to hang out with the family. It's quiet down here -- quieter than I'd prefer -- but it's also warm. I left a 22-degree New York to arrive in a 65-degree Texas. Yesterday it was 82. Despite the warm temperature, I spent the better part of the late afternoon crocheting a long, fluffy red scarf, which I gave to my brother to give to his fiancée (or to keep for himself). I also brought 4 books, the end-year double issue of the New Yorker and a teensy amount of work. I doubt I'll finish all of that reading, but I am up-to-date on my Google Reader subscriptions, and I've been downloading a considerable amount of music from my eMusic account. And I ordered myself some earrings.
It's hard for me to just sit around and do nothing. I need projects. I need things to accomplish. Are you the same? What do you do when you go "on break" but not on vacation? I have 8 more days of this.

Saturday, December 6, 2008

Everyone else is doing it ...

I guess it's that time of year to be greedy and make lists of material crap we've been longing for/can't afford/would never buy for ourselves. Not to act all high and mighty and above material possessions; I'm poor, too, y'all. Santa's the only way I can get some of this stuff.

- Small Compass Necklace from Naked Art

-Silver Robot Necklace from Shana Logic

-Customized Pumas from the Mongolian BBQ store (yes, I already have a pair saved)

-Refurbished Macbook to replace my iBook, which currently behaves as if it runs on hamster power Thanks to my family in Texas, this can be shockingly and gratefully scratched off the list. I'm so excited!

-An iPod Classic, so I can carry more than 6GB of music with me at a time and not have to carry CDs around with me to teach class.

-Iomega 500GB external hard drive -- I'm way overdue to get an external to put all of these large photo/video/music files on.

-A few books about group participation, teaching creative dance, gender roles in music, oh, and Jamel Shabazz's book because it's cool.

-Dangly Fleather earrings

-More coconut shell earrings. (mine are all busted)

-Basically anything they sell at Edge of Urge.

-Gift certificates to Trader Joe's.



I could probably go on and on, and let's face it, you aren't buying me any of these things anyway. But it's nice to dream. And make lists. Especially when you're supposed to be working on things.

Tuesday, December 2, 2008

On: race, adoption and cultural identity

(Or: Don't ask me where I'm "from")

I’m adopted. That’s not usually the first thing I tell people about myself, but it’s not an entirely private fact either. I’ve always been comfortable talking about it because it’s always been a part of me. People often ask, “When did you find out?” I used to reply with confusion. Find out? There’s never been a time in my life I haven’t known that my parents were not my birth parents. When I was two-years-old we went to a big party at Homes of St. Mark, the agency from where my parents adopted me, for adopted children and their new parents. Shortly after, I paid a visit to another adoption agency, Catholic Charities, where my new baby brother was ready for us to take him home.
My adoption usually comes up pretty quickly in conversations with strangers because about 75 percent of the time, often before someone learns my name, I’m asked, “Where are you from?” To me, the answer to the question goes something like this: “I was born in Houston, grew up in Northeast Oklahoma, moved to Chicago, and now I live in Brooklyn.” If I’m feeling less patient, however, I answer – “America.” This answer never satisfies the other party. Me, with my brown skin and curly hair and thick eyebrows and big eyes, I do not seem “American” to the person posing the question. I know when people ask me, “Where are you from?” they want me to tell them my ethnicity, which is Arab American. I find the clarification irrelevant. I was born in the United States, and my ancestry shouldn’t change someone’s view of me. This is not always a sentiment that the other party shares.
“What country are you from?”
“America.”
“No, I mean, what country are your parents from?”
“Well, they’re from America, too.”
“You know what I mean. Where is your family from?”
“My family is also American. I’m adopted, and my birth parents are Arabic.”
“Well what country are they from?”
“I don’t know. I’ve never met them.”
“Do you speak Arabic?”
“No.”
“Why not?”
“My adopted parents are white. I grew up in Oklahoma.”
At this point the asker usually accepts what I’ve told them or they completely write me off as an unauthentic poseur. I wish I always had the time to explain how ethnicity and culture are often two different entities, and while I didn’t grow up in Arabic culture, I do consider myself an Arab American while simultaneously considering myself “American.”
Interestingly, these conversations rarely took place when I lived in Oklahoma and Texas, among a prominently white, Christian population. It was assumed that if you had brown skin, it was probably because of Native American or Hispanic blood. Once I moved to Chicago and New York, cities with large Arab, Indian and Pakistani populations, I was bombarded with these questions about race and identity on a daily basis, mostly by other brown-skinned people, hoping I am “from” where they are “from.”


This is an excerpt from a personal statement I had to write for NYU. I went on to talk about choreography and Chicago and choices and failures, but this first page-and-a-half is really what means the most to me, as I continue to think about how race relates to cultural identity and what the effects are when one is removed from the other. I've not come close to any conclusions, but the seed has been planted. Hopefully you'll see the results of my investigations on a stage in the near future ...

To be continued.